For Ghazaleh Avarzamani art is about avoiding the didactic. It’s about work being historically and epistemologically researched to the point that one can hit the self-destruct button on his/her own set of references. That opens up a generous proposition to the audience. Consisted of consolidating art around the editorializations of history through exhibition design.
Ghazaleh Avarzamani artistic oeuvre encompasses a variety of forms, including sewing, needlework, patchwork, printing, ceramics, and installation, with collage and pattern juxtaposition forming part of her visual vocabulary.